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Monday Jazzsession Mixtape #37

“I Love Being Here with You” – Mary Stallings
“Bail Out” – Terje Lie
“Dona Maria” – Rufus Reid
“Lazy Afternoon” – Paul Myers Quartet featuring Frank Wess W/Andy Bey
“Simply Natural” – Carla Cook
“Wallflower Blues” – Somi
“Numerico” – Manuel Valera
“Growin Up” – David Binney, Alan Ferber
“Soaring” – Amanda Tosoff
“I Just Want To Be Close To You” – Jennie Laws
“Samberg” – Circo

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UK theater company, The Red Room, presents GAY AFRICA

Just received a note from Topher Campbell, the Artistic Director of London-based theater company, The Red Room, about a exciting and daring event happening February 28 called GAY AFRICA. In partnership with fellow London-based free speech and human rights organization, English PEN, GAY AFRICA is a free event that will bring together a mix of artists and activists from Africa and the Caribbean. It promises to be an evening of provocative performance and passionate debate. The event will be held at the Free Word Centre, Farringdon, 60 Farringdon Road, in London.

Among the questions and discussions to be considered are the role of American Christian Right supporting homophobia in Africa, whether South Africa in is practice extending human rights protections to its lesbian and gay citizens, and whether activists from the West help or hinder African lesbians and gays.

A list of performers and special guests to date include:

Bisi Alimi (Nigerian LGBT Activist)
Campbell (Filmmaker/Curator)
Gaylene Gould (Broadcaster)
Inua Ellams (Performance Poet)
Keith Jarrett (Performance Poet)
Lee Jasper (Black Human Rights Activist)
Mojisola Adebayo (Writer/Performer)
Phyll Opoku (UK Black Pride)
Rhymes Won’t Wait Collective
Rowland Jide Macaulay (House of Rainbow)
Shaun Newport (Pride London)
Skye Chirape (Rwandan LGBT Activist)
John Bosco (Uganda LGBT Activist)
Michela Sanyanjo (Uganda Human Rights Activist)

I personally would love to be there, given the nature of the questions I’ve posed here on the blog. So, if you’re in the vicinity of the event, don’t miss out! To get the latest updates on the event, visit The Red Room website.

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Assisting our African gay family’s efforts for liberation.

As I’ve mentioned before here on the blog, it’s tough to know exactly how to reach out and assist my gay/same-gender-loving family on the continent of Africa withouts connecting with individuals closely related to the varying situations on the ground there. So many stories this week about wrongs against gay people in South Africa, Kenya, Malawi, and Uganda, yet I want to assist their efforts in fighting these irrational fears about gays and not take them over with the best of intentions. That was my concern with Boycott Jamaica: American activists not being in step with the organization in Jamaica (J-FLAG) to assist their efforts and take their lead when it comes to their home country.

Radio Netherlands Worldwide aired a program special a couple weeks back called, “Being Gay In Africa”, that is troubling to hear, and at the same time, also hopeful about the real progress happening by LGBT groups in these different African countries, many times by individuals risking their livelihood and lives to have real conversations and teaching opportunities.

I think the biggest issue with certain African leaders is the same with friends and family of mine. It’s the word, “gay”, that holds the deepest weight. The adjective “gay”, for many of my hetero friends, automatically moves the conversation to “gay marriage” in their minds. The term can also mean “privileged”, “detached from family”, “detached from heritage”, or even “white”. Its problematic translation in indigenous cultures is clear as I recall a conversation that Bert H. Hoff of M.E.N. Magazine had with initiated Elder of the Dagara tribe of Burkina Faso and author, Malidoma Some, Ph.D, in 1993.

Bert: At [our recent conference] you told us that your culture honors gays as having a higher vibrational level that enabled them to be guardians of the gateways to the spirit world. You suggested that our Western view limits itself by focusing only on their sexual role. Can you elaborate for our readers?

Malidoma: I don’t know how to put it in terms that are clear enough for an audience that, I think needs as much understanding of this gender issue as people in this country do. But at least among the Dagara people, gender has very little to do with anatomy. It is purely energetic. In that context, a male who is physically male can vibrate female energy, and vice versa. That is where the real gender is. Anatomic differences are simply there to determine who contributes what for the continuity of the tribe. It does not mean, necessarily, that there is a kind of line that divides people on that basis. And this is something that also touches on what has become known here as the “gay” or “homosexual” issue. Again, in the culture that I come from, this is not the issue. These people are looked on, essentially, as people. The whole notion of “gay” does not exist in the indigenous world. That does not mean that there are not people there who feel the way that certain people feel in this culture, that has led to them being referred to as “gay.”

Also, many of the African leaders I hear speaking out against homosexuality rarely reference the English and France colonial origins of these laws. India finally corrected its laws against homosexuality in 2009. So, I ask again, how can I in America assist individuals on the group in different parts of the African continent in ending the projection of their society’s/country’s ills on homosexual people?

Via Human Rights Watch : This Alien Legacy-The Origins of “Sodomy” Laws in British Colonialism

Radio Netherlands Worldwide : Being gay in Africa

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Musician, Jennie Laws, supports NOH8

From my interview of R&B, jazz artist, Jennie Laws in May of ‘08, I thought she was not only a talented vocalist and musician, but a cool person to get to know, period. Then, Freddie Beat of popolio tipped me off to her NOH8 photo on her MySpace pages. Very cool! (In case you’re new to the NOH8 campaign, it’s a photographic silent protest created by celebrity photographer Adam Bouska and partner Jeff Parshley in direct response to the passage of California’s State Proposition 8 in 2008 after voters rejected same-sex marriage six months after California’s Supreme Court allowed it.)

What would be even cooler is a Dallas performance, Jennie!

Pick up her debut CD at CD Baby and enjoy our conversation here on the podcast.

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popolio.com is profiling artists for this year’s SXSW in Austin

Freddie Rodriguez, fearless and tireless editor at Austin-based, Mandrake Arts & Media sister site, popolio.com, has already started profiling artists scheduled to appear at this year’s South by Southwest music festival in Austin. Just follow sxsw-2010 tag to catch his writeups.

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Why I love Bandcamp

I remember the days of surfing through the clearance section of Half Price Books for cheap overlooked musical goodies, paying 90% less for CDs I’d purchased new before and since lost, then walking out feeling like a champ. Now along with sites like Gritty Goat, I get bleeding edge jams from Bandcamp.com. Especially since my tastes lately have been in the electronic, hip-hop, and glitch zones lately as seen by my Last.FM page, I am finding more goodies than I have time to listen to. And just like my days of surfing CDs and LPs, the cover art alone can be the draw to a further listen. Check out the following personal ear-ticklers.

<a href="http://aspect1.bandcamp.com/track/tainted-love">Tainted Love by Aspect 1</a>

<a href="http://paulwhite.bandcamp.com/track/trying-to-tell-you">Trying To Tell You by Paul White</a>

<a href="http://bullion.bandcamp.com/track/say-goodbye-to-what">Say Goodbye To What by Bullion</a>

And for the mashup mixtape fans, try some Outkast with Dub Floyd style.

<a href="http://dubfloyd.bandcamp.com/track/atlien-jackson-3000-a-space-odyssey-dj-cc-bionic-blend">ATLien Jackson 3000 &#8211; A Space Odyssey (DJ CC Bionic Blend) by Dub Floyd</a>

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Porn and sexual violence

Not that I believe that porn is always sexually violent towards women or men, however more often than not there is a feeling of being witness to someone’s degradation at the very least and someone’s punishment at worst. These thoughts are echoed in a recent AlterNet article by Sam Benjamin of SeXis Magazine entitled, “Why I Had To Stop Making Hardcore Porn”, and it raises some interesting food for thought.

Sam made his living as a videographer in the heterosexual and homosexual porn industry, and admits a feeling of complicity toward aiding what felt like “a happy willingness to be violent, a willingness to degrade.” Sam also admits that he didn’t sense this while filming gay porn. He writes, “They may have stuck to roles of “tops” and “bottoms,” but in the dressing room, we all seemed equals, on the same team.” Perhaps this speaks to some internal issues for Sam, which he alludes to in the article.

It’s an engaging read about the business of capturing sexual pleasure and release on video, and brings forth deeper questions about sexual violence towards women and men when pornography isn’t a part of the equation.

AlterNet: “Why I Had to Stop Making Hardcore Porn”

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Texas gay filmmaker, Marlon Riggs, celebrated this weeked at South Dallas Cultural Center

This weekend in Dallas, February 19 -21, Black Cinematheque Dallas, along with Fahari Arts Institute, DFW Senators, and Mandrake Arts & Media will be hosting a Marlon Riggs Film Festival. The films and shorts begin at 7pm each night at the South Dallas Cultural Center, 3400 S. Fitzhugh in Dallas and nightly entry fee is $10.

Riggs brought a core expression of black gay love and acceptance like never before with his film, “Tongues Untied”. This groundbreaking work is featured on Friday evening and is a must see for serious admirers of queer cinema. Following the films each night will be a riveting discussion conducted by different moderators each night. Here is a sample of “Tongues Untied”.

On Saturday, February 20th, Fahari Arts Institute will feature three shorts as a part of the Arts and AIDS program series. The Arts and AIDS program is designed to utilize the ARTS as a medium for AIDS outreach, prevention and treatment, by provoking dialogue and community engagement, supporting HIV+ artists, and preserving the rich legacy of those artists who have died as a result of the AIDS epidemic.

Among the films shown Saturday night will be Marlon Riggs’ “No Regret (Non, Je Ne Regrette Rien)” and a work by Julian Breece called, “The Young and Evil”. While Riggs’ film focuses on five sero-positives black gay men speak of their individual confrontation with AIDS, Breece’s film is a story about a defiant teen sets out to seduce an HIV prevention advocate into giving him the virus. Free HIV testing will be available. The following is a trailer of “The Young and Evil”.

Sunday, February 21, we will feature Riggs last film, “Black is, Black Ain’t”, which had to be completed by his co-director and friends due to his untimely death in 1994, due to complications with the AIDS virus.

All three nights promise great queer cinema, conversation, and healing. Come and be a part of it!

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