A frequent guest and commentator here at Mandrake Society Radio podcast, Tuan N’Gai, is producing a tour of speaking engagements to challenge African-American gay people to collectively speak out against homophobia especially within black religious institutions. The tour entitled, Silence Equals Consent, is the mantra of the organization and website, Operation REBIRTH, which N’Gai helped build.
“Silence Equals Consent isn’t a battle cry against the black church or the community at
large”, Tuan says. “It’s an effort to call attention to the issues that have divides us in hopes to bring
about unity and healing. We need to learn to focus on what makes us the same, and learn to see
our differences as something beautiful.”
Tuan is currently booking workshops, speaking engagements, and book signings. One thing’s for sure, especially for those who’ve heard Tuan on the Mandrake podcasts, you will be challenged and inspired. To schedule an event in your area, contact tuan[at]guysjohnson.com
Listen to an interview about his latest book, Little Brown Boy’s Blues.
I’ve written on this blog and other places that one of my favorite experiences after accepting myself as a gay man was taking part in a inter-generational discussion of black gay men every other Saturday in Houston called The Men’s Gathering. Today, I’m speaking with one of the architects of the The Men’s Gathering in Dallas, Buster Spiller. Buster recounts his coming out story including two-and-half suicide attempts to leading out in a organization of 120+ black gay men in the Dallas area. His talk also challenges younger activists to break the chains of church homophobia and become more political active. Buster and I spoke at It’s a Grind coffee house in Deep Ellum, across from Baylor Hospital.
“Never The Same” – Charles Langley
“Making Love” – Erik Rico
“Coat Of Many Colors” – James Vincent
“Crossing Streets” – Evan Marien
“A Night in Tunisa” – Quintessence Saxophone Quintet
“Ponta De Ariea” – Esperanza Spaulding
“So Easy” – Dozens
“Naturally” – Hal Galper
“Coat Of Many Colors” – James Vincent
“Teenies World” – George Kontrafouris
“The Music Goes On” – Jeb Patton
Anthony Charles Williams II is a vocal powerhouse, period. Whether R&B, hip-hop, or the gospel styling that made him as Tonex (now, TON3X) loved and respected worldwide, the man cannot be stopped. However, since his clearest address of his long-rumored sexuality (he’s addressed it long before the famed Lexi interview in 2009) has been made, his musical career in the contemporary Black gospel music world may have halted. Then, just recently, the New Yorker published an in-depth and honest profile of Ton3x musical roots, aspirations, and career disappointments that reveal the depths of his mental conflict.
Asked if he would keep pastoring [at Truth Apostolic in San Diego], he made eye contact and said, “You’re
here right now in the middle of I-don’t know-ville.” In his ministry, as in his music, Tonéx offers only a promise to be true to himself. And listeners can’t ask for much more than that—
In this third blog post about the politics of a gay musician, I wonder aloud about the road of a Christian male singer and what support he will really find in the gay community without himself or offering his music to be simply a political pawn. While not a gospel singer by profession, perhaps I should ask soul singer, Donnie, who’s 2007 recording, The Daily News, became the buzz. Or perhaps, Rashaan Patterson can offer a word, as he also did in 2007 with his release of Wines and Spirits. Perhaps yet, like Tim Dillinger recently reasoned on his blog, the gospel music that reared him doesn’t have to be a separate identity from pop music to be authentic for him.
I see such a wonderful third path of music awareness that gay/same-gender-loving/queer people can bring to the music world as the taste makers. Not just in dress and style, but more so in songs so well written and produced that they become an outstanding body of work that any artist of any orientation would be proud to sing. Many of the aforementioned artists in this blog are making that music. Soulful and, of course, spiritual.
So what I really want to say, TON3X, is that I believe in you.
(P.S. That “12″ track (referenced in the New Yorker article) from your MySpace is FIRE! Need.to.buy.it!)
Since this seems to be Sade week for me, just thought I’d share a great performance from 2008 of Rahsaan Patterson performing one my favorites from her, “Stronger Than Pride”. I’m definitely looking forward to a new project from him this year. Enjoy!
Uniting the worlds of Judaism and naturism, practitioner Joseph T. Farkasdi has created a special volume of Hebrew religious literature called Sefer Digamabara Pulkhanim ha’Yehudi that reads more like a siddur (or Hebrew prayer book). While the term digambara means “clothed with air” and comes from a order of Jain monks, Farkasdi borrows from that tradition only as his spiritual similarity for performing daily rituals while nude, not for any sense of hermetic ascestism besides clean, basic living. In fact, there is a recognition and celebration of connectedness through sexual relations and family. Prayers, then, are provided for both men and women to recite and enjoy alone or in company of others as long as the tenet of tziniyut, or modesty, is preserved in the expression.
This volume definitely serves as a primer for this particular intersection of spirituality, and provides plenty of easily digestable food for thought even for non Jews. You can purchase a copy of the book at CreateSpace.
Listen to an audio interview with the author here.
Sade continues to be an artist who blends melancholy and longing into a intoxicating musical cocktail. Her latest work, Solider of Love, will give hardcore fans reason to rejoice in that the formula still works.
Beginning with the passionate, “The Moon and The Sky”, the mood is set for most of the CD, with exception of the harder urban production of first single and title track, “Soldier of Love”. For some new fans to Sade’s work, the aforementioned single may through them off in light of the rest of the project. However just let the reggae-influenced, “Babyfather”, the classic R&B swing of “In Another Time”, and sincerity of “Long Hard Road” marinate in your head. Then, you’ll realize why this woman and this band have had the successful career that now spans over 25 years. A haunting lyric that ends the CD continues the solider motif with “The Safest Place”.
…my heart has been a lonely warrior / that’s been to war / so you can be sure / In my heart / your love has found / the safest hiding place..
Younger artists would love to have such a unique impact on popular music for so long. You will not regret this music purchase.
While I had a great time at the Creating Change conference in Dallas last week, one concern I had was that there were few bloggers of color present and fewer mentioned in reference by the presenters. So, Wayne Sutton’s entries under the “28 Days of Diversity” moniker is a good place for individuals to become exposed to more individuals excelling in this field of work. Great job, Wayne!
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